If you're Christmas shopping for children this season, one of the Parents Magazine's top 10 Children's Books of 2017 was Fairy Tale Pets by Tracey Corderoy and Jorge Martin. Looks pretty cute!
Description:
Bob has decided to be a pet-sitter. He just can't wait for all the cute hamsters and bunnies to arrive! But when Goldilocks asks him to look after her grumpy baby bear, the fairy tale chaos begins... Spot your favourite characters misbehaving in an all-star cast as the golden goose, three billy goats gruff and - yikes! - a troll arrive at Bob's door. Whatever will he do? A hilarious new picture book from award-winning author Tracey Corderoy (Squish Squash Squeeze!, Now!, Why?, More!) and talent illustrator Jorge Martin. Perfect for anyone who has ever wondered what fairy tale pets get up to in their spare time!
Tuesday, November 28, 2017
Tuesday, November 21, 2017
From the Archives: Marina Warner on the Silence of Women in Fairy Tales
Fairy tales are often accused of portraying negative female stereotypes, encouraging young girls to become passive and silent and obedient to men.
In one sense this is true-when men such as the brothers Grimm collected fairy tales, they tended not to include stories which existed in folklore that featured strong, clever female heroines, and instead gravitated (however consciously) towards stories with active males and passive females. Not only that, but as Marina Warner cites from Ruth Bottigheimer's analysis of speech patterns in the Grimms, as the Grimms published their later editions, the female heroines used less and less words and the female villains spoke more. Thus girls tend to subconsciously receive the message that to be good and desirable like the female heroines in the stories, they must be quiet.
There are two famous examples of females who aren't simply reserved, but are completely unable to speak--Hans Christian Andersen's Little Mermaid, and the sister from "The Wild Swans" and its variants.
The Little Mermaid stands in direct contrast to the sea maidens of antiquity, the sirens. Sirens used their voices, beautiful and alluring, to draw men to them and cause their death. Their voices are therefore powerful, and evil. The Little Mermaid gives up her voice willingly for the chance to win the love of a prince and her immortal soul. Now the desire is hers, but it is she who is forsaken.
The Disney version makes Ariel, in Warner's words, "a fairytale heroine of our time." She knows what she wants (another word count fun fact-the word "want" is spoken by Ariel more than any other verb) and will go through anything to get it, but this time hers is a happy ending. But in this version, according to Warner, "female eloquence, the siren's song, is not presented as fatal any longer, unless it rises in the wrong place and is aimed at the wrong target." The female voice is now powerful like the siren's, but not inherently evil.
The sister in the Wild Swans is silent by choice (in a way)--if she speaks one word before the shirts of nettles are made and placed on her enchanted brothers, they will stay swans forever. In one sense, this can be seen as yet another example of encouraging women to be quiet and submissive, but although she is rewarded for enduring, the silence is clearly meant as a hardship--the happy ending includes a return of her voice. Other tales have forms of silenced heroines as well, such as the heroine from Goose Girl, who gave her word (under pressure) not to tell the truth of her situation to a living being--but she is able to find a clever way for her to reveal the truth anyway.
It's possible that, as women throughout the centuries were frustrated at their own lack of voice within the community and family, they told stories such as "Wild Swans" to express their own frustration. Yet there is also something to be admired in the self control and determination of the heroines. This is Warner's personal memories of reading the Wild Swans, one of her favorite childhood stories: "it still seemed to me to tell a story of female heroism, generosity, staunchness; I had no brothers, but I fantasized, at night, as I waited to go to sleep, that I had, perhaps even as many tall and handsome youths as the girl in the story, and that I would do something magnificent for them that would make them realize I was one of them, as it were, their equal in courage and determination and grace". The actions of the sister are indeed impressive-there are different forms of heroism, not all that are as easy to recognize.
Fortunately, we are not as constrained by the severe gender expectations of the Victorian times, but that doesn't mean these stories or even these particular versions have to be thrown out and completely replaced with new "girl power" tales. There are times when we all feel silenced-we don't feel like our opinions are being taken seriously at work, we feel overlooked in a certain relationship, etc.--and even today people of many races, faiths, and sexual orientation are still being denied basic rights. It can be encouraging to read stories that give us hope that there will come a time when we will be able to speak again and the truth will be revealed.
Illustrations of Little Mermaid by Margaret Tarrant, Six Swans by Elenore Abbott
Information from Marina Warner's From the Beast to the Blonde: On Fairy Tales and their Tellers
In one sense this is true-when men such as the brothers Grimm collected fairy tales, they tended not to include stories which existed in folklore that featured strong, clever female heroines, and instead gravitated (however consciously) towards stories with active males and passive females. Not only that, but as Marina Warner cites from Ruth Bottigheimer's analysis of speech patterns in the Grimms, as the Grimms published their later editions, the female heroines used less and less words and the female villains spoke more. Thus girls tend to subconsciously receive the message that to be good and desirable like the female heroines in the stories, they must be quiet.
There are two famous examples of females who aren't simply reserved, but are completely unable to speak--Hans Christian Andersen's Little Mermaid, and the sister from "The Wild Swans" and its variants.
The Little Mermaid stands in direct contrast to the sea maidens of antiquity, the sirens. Sirens used their voices, beautiful and alluring, to draw men to them and cause their death. Their voices are therefore powerful, and evil. The Little Mermaid gives up her voice willingly for the chance to win the love of a prince and her immortal soul. Now the desire is hers, but it is she who is forsaken.
The Disney version makes Ariel, in Warner's words, "a fairytale heroine of our time." She knows what she wants (another word count fun fact-the word "want" is spoken by Ariel more than any other verb) and will go through anything to get it, but this time hers is a happy ending. But in this version, according to Warner, "female eloquence, the siren's song, is not presented as fatal any longer, unless it rises in the wrong place and is aimed at the wrong target." The female voice is now powerful like the siren's, but not inherently evil.
The sister in the Wild Swans is silent by choice (in a way)--if she speaks one word before the shirts of nettles are made and placed on her enchanted brothers, they will stay swans forever. In one sense, this can be seen as yet another example of encouraging women to be quiet and submissive, but although she is rewarded for enduring, the silence is clearly meant as a hardship--the happy ending includes a return of her voice. Other tales have forms of silenced heroines as well, such as the heroine from Goose Girl, who gave her word (under pressure) not to tell the truth of her situation to a living being--but she is able to find a clever way for her to reveal the truth anyway.
It's possible that, as women throughout the centuries were frustrated at their own lack of voice within the community and family, they told stories such as "Wild Swans" to express their own frustration. Yet there is also something to be admired in the self control and determination of the heroines. This is Warner's personal memories of reading the Wild Swans, one of her favorite childhood stories: "it still seemed to me to tell a story of female heroism, generosity, staunchness; I had no brothers, but I fantasized, at night, as I waited to go to sleep, that I had, perhaps even as many tall and handsome youths as the girl in the story, and that I would do something magnificent for them that would make them realize I was one of them, as it were, their equal in courage and determination and grace". The actions of the sister are indeed impressive-there are different forms of heroism, not all that are as easy to recognize.
Fortunately, we are not as constrained by the severe gender expectations of the Victorian times, but that doesn't mean these stories or even these particular versions have to be thrown out and completely replaced with new "girl power" tales. There are times when we all feel silenced-we don't feel like our opinions are being taken seriously at work, we feel overlooked in a certain relationship, etc.--and even today people of many races, faiths, and sexual orientation are still being denied basic rights. It can be encouraging to read stories that give us hope that there will come a time when we will be able to speak again and the truth will be revealed.
Illustrations of Little Mermaid by Margaret Tarrant, Six Swans by Elenore Abbott
Information from Marina Warner's From the Beast to the Blonde: On Fairy Tales and their Tellers
Tuesday, November 14, 2017
Fairy Tale Sushi
I'm no sushi expert by any means, but Tony and I do enjoy it every once in a while for a special dinner. We were out for a date and I was thrilled to discover something I had never seen before: a Beauty and the Beast roll! Of course I had to get it.
Most sushi menus will feature a Snow White roll, with snow crab and white tuna, also on the menu above. I liked that this restaurant also topped it with "cherry kiss cream" which I don't think is usually part of the description.
I thought that the BATB roll would be only a local specialty but it turns out there's a somewhat standard recipe for it-this picture is from a restaurant in Orlando.
I did find one restaurant, Thelonious Monkfish, that has a specialty fairy tale sushi roll section. It's fun, and although mostly random, you can see some connections between the tale and the ingredients. The menu even includes little descriptions/snippets of the tales too. Fairy tale menu below.
Has anyone else come across any fairy tale rolls?
Sleeping Beauty Roll $18.95
Like Princess Aurora asleep in her chamber waiting to be woken with a kiss, this blonde roll is prepared with white tuna (escolar)*, crushed pineapple + tempura flakes wrapped in yellow soy paper + sushi rice, draped with salmon, sliced ripe mango + drizzled with refreshing pineapple-lime mayo. (Ten pieces.)
Red Riding Hood Roll $18.95
Ambling through the dark forest with innocence as her only weapon, she leaves the trodden path and encounters the blackest, hungriest of wolves. Our roll is reminiscent of this ancient folk tale: spicy tuna, shrimp tempura + cucumber ensconced in sushi rice + green soy paper, draped with pared scallop + strawberry medallions, topped with black tobiko + drizzled with red berry coulis. (Ten Pieces.)
The Frog Prince Roll $18.95
In one version, the princess flings the frog against a stone wall; in another, her kiss precipitates its transmogrification into prince; but what to do if your prince is actually a frog and not the other way around? The interior:salmon, mango + tempura crunch; the exterior:layered with avocado + crowned with spicy snow crab + tobiko salad.
The Snow Queen Roll $16.95
Benumbed & blue in the ice palace, Kay feels nothing, for his heart’s a lump of ice; only Gerda’s tears can warm his frozen heart. Our roll evokes childhood memories of grandmother’s tales. Shiitake, green apple, cukes & asparagus wrapped in seaweed & rice, draped with young coconut meat, drizzled with pineapple mayo, garnished with coconut flakes. (8 pieces)
The Rumpelstiltskin Roll $18.95
Three times, he spun straw into gold, then awaited his prize. Under a coverlet of dark branches, round a smoky fire he danced a jig. “Today I brew, tomorrow I bake; then the Prince child I will take; for no one knows my little game: that Rumpelstiltskin is my name!”Inside: wok-roasted balsamic-glazed shiitake,yellowtail, asparagus tempura + green apple. Outside: fresh tuna, drizzled with wasabi mayo; topped with spring onion confetti; crowned with crispy yu mein noodles.
Monday, November 6, 2017
Muggle Fairy Tales are Mad
If you have time you should check out Muggle Fairy Tales are Mad by Meltha. I heard about these on Megan Kearney's BATB tumblr. They're fan fiction imagining Hermione telling Ron and Harry Muggle Fairy tales as a way to pass the time during their search for Horcruxes in the seventh book. It's fun for fans of Harry Potter, but also gives us a way to imagine hearing our own classic fairy tales for the first time. Hermione confuses the different versions, combining Disney, Perrault and/or Grimm, which is natural for most people who piece together what they've heard over time, but it's really Ron's reactions which make these so funny yet thought provoking. Here's an exerpt from the Cinderella story:
“Just then, though, who should appear but her fairy godmother.”
“Her what?” Ron said in disbelief.
“Her fairy godmother,” Hermione repeated.
“Who in their right mind would pick a fairy as a godmother? Don’t they know how dangerous those things are?” Ron said. “I mean, really, why not just give her a banshee godmother; they’re about as deadly.”
“Muggles think of fairies differently,” Hermione explained. “They don’t really understand them.”
“Yeah,” Harry chimed in. “They think they sneak into the house in the middle of the night and swap kids’ fallen-out teeth with money.”
“Now there’s a comforting image: one of the fae walking in and stealing body parts. Don’t they know how much trouble giving a magical being a body part can lead to?” Ron said, still flabbergasted. “Everyone knows that!”
“Well, Muggles don’t,” Hermione said. “Besides, the Tooth Fairy is something only children believe in. Mostly Muggles just think of fairies as tiny, cute, pudgy things with wings to put on greeting cards with flowers and bunnies.”
“There really ought to be a public service campaign for them, then,” Ron said pityingly. “So how’d Cinderella’s Muggle mum and dad even know a fairy to make a godmother to begin with?”
“Well, I… I don’t know. They never really explain how she wound up with a fairy as a godmother,” Hermione said, tilting her head to one side in consideration. “It is sort of an odd loose end to leave, isn’t it?”
“No kidding,” Ron agreed. “Hermione, no offense, but this is a really weird story.”
“Her what?” Ron said in disbelief.
“Her fairy godmother,” Hermione repeated.
“Who in their right mind would pick a fairy as a godmother? Don’t they know how dangerous those things are?” Ron said. “I mean, really, why not just give her a banshee godmother; they’re about as deadly.”
“Muggles think of fairies differently,” Hermione explained. “They don’t really understand them.”
“Yeah,” Harry chimed in. “They think they sneak into the house in the middle of the night and swap kids’ fallen-out teeth with money.”
“Now there’s a comforting image: one of the fae walking in and stealing body parts. Don’t they know how much trouble giving a magical being a body part can lead to?” Ron said, still flabbergasted. “Everyone knows that!”
“Well, Muggles don’t,” Hermione said. “Besides, the Tooth Fairy is something only children believe in. Mostly Muggles just think of fairies as tiny, cute, pudgy things with wings to put on greeting cards with flowers and bunnies.”
“There really ought to be a public service campaign for them, then,” Ron said pityingly. “So how’d Cinderella’s Muggle mum and dad even know a fairy to make a godmother to begin with?”
“Well, I… I don’t know. They never really explain how she wound up with a fairy as a godmother,” Hermione said, tilting her head to one side in consideration. “It is sort of an odd loose end to leave, isn’t it?”
“No kidding,” Ron agreed. “Hermione, no offense, but this is a really weird story.”
Rita Fetisov