Karen, the protagonist, struggles with vanity long before she even comes into contact with the fateful shoes. "People said that she was pretty. But the mirror told her, 'you are more than pretty-you are beautiful.' " A throwback to Snow White's evil Queen, perhaps, another vain character known to listen to her mirror?
The first time Karen danced a few steps in the shoes, she found she couldn't stop, until the shoes were removed. She still thinks about the shoes even when she isn't wearing them, and finally wears them to a ball. This time she starts dancing and can't stop. After dancing for days, past meadows and fields, she is condemned by an angel: “Dance you shall,” said he, “dance in your red shoes till you are pale and cold, till your skin shrivels up and you are a skeleton! Dance you shall, from door to door, and where proud and wicked children live you shall knock, so that they may hear you and fear you! Dance you shall, dance—!”
She even passes a funeral for herself, and knows "she was forsaken by everyone and damned by the angel of God." Nothing can help her until she goes to the executioner and asks him to chop off her feet. Even the first time she tried to go to church again, the red shoes were still there, dancing on their own, and she had to repent of her sin.
After that she became the image of piety, "industrious and thoughtful," and when children "asked her about dress and grandeur and beauty she would shake her head." After living in humble piety for a while with her crutches, one day she is taken up to Heaven, "and no one was there who asked after the Red Shoes." (Italics part of the story, not my emphasis).
All that for a pair of shoes seems rather extreme, but wikipedia includes this pertinent background information: "Andersen explained the origins of the story in an incident he witnessed as a small child. By his report, his father was sent a piece of red silk by a rich lady customer, to make a pair of dancing slippers for her daughter. Using red leather along with the silk, he worked very carefully on the shoes, only to have the rich lady tell him they were trash. She said he had done nothing but spoil her silk. "In that case," he said, "I may as well spoil my leather too," and he cut up the shoes in front of her."
So Andersen may have had bitterness towards the rich more than towards women and girls especially. She originally wants red shoes because she sees a princess wearing them.
This paper by Anastasia Yuanita sees the story as cautioning children more about obedience than vanity. Karen tricked her adopted mother into buying her red shoes, and wore them over and over again after being told not to. As far as we know, the princess in the beginning was never condemned for wearing her red shoes, so her sin could be idolizing the shoes more so than just wanting and wearing the shoes in and of themselves, good news for any of us who happen to own red shoes. Plus, extremely didactic tales enforcing children's obedience were pretty much the norm at the time.
However, when you look at this story in combination with Andersen's others, you really do start to notice a pattern. Inger of "The Girl Who Trod on a Loaf" is given even more dire punishment. This girl is bad, cruel, and proud-even despite her poverty. In her vanity and foolishness, she uses a loaf of bread given to her to place in the mud to keep her shoes from getting dirty. For this she becomes a statue in the underworld, forced to hear the voices of people up above telling her tale as a warning against wickedness, and she wishes she had never been born, and that people had punished her more for her waywardness.
In contrast, the good heroine of "Snow Queen," Gerda,shows her devotion by throwing her red shoes, her "treasure," into the river. (Interestingly, although you can find illustrations of Gerda with and without shoes, I haven't found any pictures of her wearing those red shoes, has anyone else?)
I couldn't help but wonder how much of Andersen's attitude towards red shoes were universal, and how much was his own, so I did a little digging.
From BBC News: "In the 1670s, Louis XIV issued an edict that only members of his court were allowed to wear red heels. In theory, all anyone in French society had to do to check whether someone was in favour with the king was to glance downwards. In practice, unauthorised, imitation heels were available."
- Footwear facts:
- In Europe in the sixteenth and seventeenth centuries heels on shoes were always colored red.
- Six-inch-high heels were worn by the upper classes in seventeenth-century Europe. Two servants, one on either side, were needed to hold up the person wearing the high heels.



































